We occasionally get comments from readers and recently architect David Grider wrote in. His firm has worked on the Guttman Building, including renovating some of the spaces like the lobby. We are including here the great information and images he shared. All images are courtesy of David. Enjoy!
1. 301 Henry was a 1962 extension to the red brick building (“Pete’s House”), also designed by DeYoung & Moskowitz, in 1948 in a “contextual” style. Love that they broke free of that for the 1962 building! Here’s an image of the dedication; Pete’s House has the 6 over 6 windows; 301 Henry would replace the tenement to the left 14 years later:
2. Shortly after completion, both buildings from the same hand:
3. The terra cotta cladding at the base of 301 Henry was designed by neighborhood kids, makes me smile that DY&M made it happen:
4. Here’s the original lobby of 301 Henry:
5. And here’s our renovation. We were fortunate to be able to restore the existing glass tile, and even the Nelson-esque clock above the new reception desk:
6. Our big move was opening up the brick wall that had been between 301 and Pete’s House, and connect the two lobbies with an ADA ramp so that they are accessible (works out well for the daycare too, stroller friendly). Original glass tile on the left, with the new orange mosaic at the new openings; it came out nice:
Thanks for sharing, David!
Another great one by DeYoung Moskowitz and Rosenberg, who are most well-known for the Modern buildings at the Fashion Institute of Technology, but were really around doing Modern design from the 1930s until at least the late 1960s. This one is a standard institutional design, similar to many public schools of the era, but enlivened by yellow metal panels.
While are all at home at the moment, we are digging into our never posted archives. This is the First Church of Religious Science, established in 1927 as part of the New Thought Movement. This storefront at 14 East 48th Street was altered in 1949 for the church. However in the mid 2010s, the entire building was demolished for a larger building and the church moved to the Upper West Side.
A building in New York City that no one ever mentions is the Fifth Avenue Synagogue, which is just off Fifth on 62nd Street. Designed by prolific synagogue architect Percival Goodman, this is a unique example of an urban design, when his other designs are almost all freestanding structures in a more suburban environment. The window shapes, one of the only overt design elements, represent peace.
This long abandoned round health club sits along a fairly nondescript commercial strip in suburban Scarsdale. The main structure is a single-story round building cantilevered over a concrete entrance base. Designed by regional architect Thomas J. Walters, the unusual shape of the building may explain why it has had a hard time ever finding another tenant. It even still features a heroic male sculpture in front of the building with three plinths behind it.
An important part of the Mid-Century Mundane study has been houses of worship. On November 22nd, I will be presenting a talk, The Architecture of Catholic Modernism In New York State: From Post War to Vatican II, as part of the New York State History Conference. More information can be found here. I will be discussing how church architecture evolved in New York State after World War II and how the Vatican II convening brought about an embrace of modern design in the building of churches. Featured prominently will be the work of John O’Malley, the architect for close to 100 Catholic buildings in New York City and Long Island, including American Martyrs Catholic Church, pictured above.
As Archtober, join Queens Modern for a tour of the Roman Catholic Church of the Transfiguration, a unique structure in Queens’ Maspeth neighborhood, combining mid-century design and Lithuanian folk elements. Constructed in 1962 to designs by Lithuanian architect Jonas Mulokas, the church received an honorable mention from the Queens Chamber of Commerce Building Awards program. The interior was created by one of the most renowned 20th century Lithuanian artists, Vytautas Kazimieras Jonynas, who designed interiors for more than 60 churches across the world.
Learn more and purchase tickets here.
This addition to an existing branch of the Five Cents Savings Bank in the heart of historic downtown Boston was constructed in 1972 to designs of Kallman, McKinnell & Knowles. This prolific local firm is most well known for the Brutalist masterpiece, Boston City Hall and plaza.
When the bank left this branch, Walgreens moved in. Unusually, they decided to maintain and restore the soaring interior and striking exterior, keeping many details including the safe and teller section in the older building. The interior ceiling alone is worth a stop inside.
We’ve previously covered the Church of the Epiphany’s exterior (and window salvaged from the previous church). But recently we were about to view the sanctuary. The walls are covered with the same dark brown brick as the exterior and the furnishings were provided by Rambusch Studios.
There are three primary sources of illumination: simple, metal chandeliers, recessed skylights, and four striking abstract stained glass windows.
These windows were designed by the noted Albin Elskus for Durhan Studios in 1966. Each window is dominated by one shade of color: orange, yellow, blue, and purple. The fact that the rest of the sanctuary is so somber, means these windows stand out even more. Definitely worth a visit!
Check out this virtual walk looking at vernacular modernism in Queens’ Forest Hills neighborhood with yours truly!