We’ve previously covered the Church of the Epiphany’s exterior (and window salvaged from the previous church). But recently we were about to view the sanctuary. The walls are covered with the same dark brown brick as the exterior and the furnishings were provided by Rambusch Studios.
There are three primary sources of illumination: simple, metal chandeliers, recessed skylights, and four striking abstract stained glass windows.
These windows were designed by the noted Albin Elskus for Durhan Studios in 1966. Each window is dominated by one shade of color: orange, yellow, blue, and purple. The fact that the rest of the sanctuary is so somber, means these windows stand out even more. Definitely worth a visit!
Check out this virtual walk looking at vernacular modernism in Queens’ Forest Hills neighborhood with yours truly!
This is a pretty standard red brick modern complex in Virginia (a state not generally known for its modern). However the segmentation of the rounded sanctuary is a nice design feature which also allows light into the space and the metal steeple is a striking centerpiece.
Looking back two years ago to the Docomomo Symposium in Phoenix, I had a chance to see a lot of high modern including Frank Lloyd Wright’s Taliesin West and Paolo Soleri’s experimental Arcosanti.
But beyond that, there is a large body of modest and mainstream modern mixed in to daily life. The church pictured here was designed by one of the most prolific ecclesiastical architects of the mid-century, Harold Wagoner. Through his thought leadership and involvement in designing building programs for several denominations as well as writing for various publications, he was able to become the go-to architect for this work, designing more than 500 buildings in 36 states. His designs run the gamut from strikingly modern to typical revival styles. This one falls in the modern camp.
The main sanctuary at the rear of the campus features a dramatic double height porte cochere. The main buildings are clad in the same stone and blend into the landscape. The more recent multi-sided chapel near the main intersection is also quite striking. Unfortunately we could not see the interiors on this day.
Mount Calvary Lutheran Church, 1956, at 436 S. Beverly Drive.
One of DC’s more interesting corporate office buildings, the National Association of Broadcasters sits at the corner of N Street and 17th Street, NW. The architects were Mills Petticord & Mills who also did this DC Brutalist design. Loren Sage designed the fountain in the large front plaza. Unfortunately this building is threatened with inappropriate alteration.
Read more about it here.
A quick visit to this church, which has been closed since 2015 due to continued parish mergers across the city. The building is a little dour with a dark brick facade with white concrete accents. However this is set off by the brick patterned bell tower which is quite unusual for New York City. I could not locate a cornerstone to verify the date of construction but the school for the parish was built in 1953.
Built in 1966, St. Andrew’s Lutheran is a modest structure, topped with a six-sided cupola that brings light in through blue and white colored glass.
Unfortunately, this post is to celebrate a unique modern synagogue that is imminently destined for the wrecking ball. Designed by the underrated Davis, Brody, and Wisnieski, the oval sanctuary is sited at one end of the complex with a connector through administrative spaces and ending in the educational wing.
The sanctuary walls are faced in brightly colored glass or plastic tiles that cause the interior to glow. Other details including wooden pews and decoration typical of the period and a striking ceiling pattern.
The loss of Emanu-El, whose shrinking congregation has merged with another nearby, mirrors the closure of other synagogues in Eastern Queens and Long Island as demographics shift and populations age.
This is a rare modern building in this area of Maryland and even more unusual, designed by an immigrant female architect who brought Corbusian principles to her work. Poldi Hirsch based her practice in this small town and designed several buildings over her career, most notably her own family residence and this office building for her husband’s medical practice. Both remain today.
The building is nestled among a district of primarily Victorian style mansions and stands out for its completely modern style. The design uses colorful paneling, cinder block construction with brick facing, and a swooping entrance canopy. While there seems to be deferred maintenance on the building, it’s still in use and hopefully is appreciated for its uniqueness.